Shifting Gears

As you may have noticed, I deleted the “Events This Week” posts and have altogether skipped posting anything for this week. The reason is this: this blog has quickly become too much of a chore and I have decided to stop updating it so that I can focus elsewhere.

Since I still believe in and care about the arts in this area, I will continue to write about them, but that writing will (hopefully) begin occupying other digital and printed venues. (This week I am planning to send a revised version of the review I wrote for Taylor Norris’ show to Numbers.)

Perhaps someday I will venture into a quarterly zine or start a FB page. For now, I have to re-adjust my dispersal of time and energy.

If you’re not sure where to learn about events in the Tri-Cities, there are MANY resources for that. Granted, none that I’ve noticed are totally comprehensive (it’s a harder task than you might think – I know, I’ve tried it), but they are worth checking in on.

http://www.etsu.edu/cas/arts/

http://engagekingsport.com/

http://www.theloaferonline.com/home.html

http://artsmagazine.info/

http://www.tricities.com/things_to_do/local/

http://www.gotricities.com/events.php

http://historicjonesborough.com/thingstodo/events-historic-jonesborough-tn.php

Plus, most places now have Facebook pages and they post updates regarding their events (The Hideaway, Mecca Lounge, Galaxy Lounge, The Bonnie Kate) or they have websites with frequently updated calendars (William King Museum, The Hands On Museum, International Storytelling Center, The Down Home, The Acoustic Coffeehouse).

I hope you are enjoying our fantastic weather and get out this weekend to see some shows.

Ciao,

James

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Catherine Murray’s Letter to Mrs. Ramsay

“The Edge of Things”, 2009. Bronze, wood, lead, and paint.

I finally made it over to Catherine Murray’s Letter to Mrs. Ramsay at the Johnson City Area Arts Council Gallery. In case you haven’t been there, it’s a nice little space that’s easily accessible downtown (in the same building as Main Street Pizza). I haven’t been to many exhibitions there because, for whatever reason, it’s a bit off my radar. I don’t often know what’s in there. The only four times I’ve been to the gallery it was because a friend or acquaintance was involved with an exhibition. I suspect this gallery might have the issue multiple venues in this area experience as well — lack of exposure.

“Artemis”, 2012 + “Demeter”, 1997 + “Aphrodite”, 2012.

Perhaps most recognized as a sculptor, Murray actually began her artistic studies as a painter. I’m not exactly sure why or when she moved over to sculpture as her primary medium, but encaustic seems like a good bridge between the two. The medium lends itself well to being layered, built up, and carved into. The surface texture feels a bit mysterious, but very physical. Perhaps it’s the shifting opacity, the way the surface looks tranquil yet sticky, physically and psychically sensitive. The affectation feels mutual between object and viewer.

“Erebus”, 2012. Encaustic and mica on wood panel.

“Blossom”, 2012. Alabaster and cast iron.

It usually annoys me when people make artwork and title it a word that is heavy with meaning like Artemis, Demeter, etc. because it creates issues for both the artist and the viewer. If the artist making the work attempts to describe this word in an iconic, broadly applicable way, they tend to fail miserably. The task is too hard. The work suffers. If the work is a conscious attempt to spin a “twist” on the common perception of the word, it tends to be trite. Successful attempts tend to be more personal, less self-conscious. Or humorous.

While looking at Murray’s mixed media paintings, I got the impression that each work was a meditation on something in particular, but not weighed down by it. Each one feels like a conversation that she had with herself, with her memories yet it was really readable to a viewer. When looking at Aphrodite, for example, moments in the painting struck me as being revealing without force, such as the small deer in an obscured forest, the seashell, and the vulvic green shape slightly off center.

“Aether”, 2012. Encaustic and gold leaf on wood panel.

“Aphrodite”, 2012. Encaustic and paper on wood panel.

The work feels very much like the beginning of a new phase in Murray’s career, which is always an exciting thing to witness. At least for me. I remember being in my art classes and seeing that a fellow student made some great leap, and even where there were problems with his or her piece, the energy and potential was there to enable more growth and experimentation. But let’s not over think it. Momentum is momentum, and now is a good time for that.

“Honeybee”, 2012. Encaustic, cloth, and paper on wood panel.

“Queen Bee”, 1993 + “Honeybee”, 2012.

“Sanibel”, 2012 + “Hercules”, 1993 + “Red Deer”, 2012.